The Boy in the Striped Pajamas John Boyne - FB2

John Boyne

I hardly know where to begin bashing this book. Do I start with the 9-year-old boy and his 12-year-old sister, who read about 6 and 8, respectively? The imperial measurements (miles, feet) despite the German setting? The German boy, raised in Berlin, who thinks that Der Führer is "The Fury" and Auschwitz is "Out-With," despite being corrected several times and seeing it written down? The other English-language idioms and mis-hearings, despite our being told that he speaks only German? And that he believes that "Heil Hitler!" is a fancy word for hello, because he understands neither "Heil" nor "Hitler"?

So maybe these are fussy issues, and I shouldn't trash the book on these minor linguistic flaws. Instead, I can start with the plot holes big enough to drive a truck through: that Bruno, whose father is a high-ranking official in "The Fury"'s regime, doesn't know what a Jew is, or that he's living next door to a concentration camp. Or that the people wearing the "striped pajamas" are being killed, and THAT's why they don't get up after the soldiers stand close to them and there are sounds "like gunshots." Or that there's a section of fence that is (a) unpatrolled and (b) can be lifted from the ground high enough to pass food and, eventually, a small boy through, AND that nobody would try to get OUT through this hole. Or that Bruno's friend Shmuel, a frail 9-year-old boy, would survive over a year in a Nazi camp. Or even the author's refusal to ever use the word "Auschwitz," in an effort to "make this book about any camp, to add a universality to Bruno's experience."

That last is from an interview with the author that appears at the end of the audio version. I can't speak to most of what he said, because it was a lot of "here are all the places that are hyping my book," but the worst part of it, to me, was where he was addressing criticisms: "there are people who complain that Bruno is too innocent, too naive, and they are trivializing the message of this book." Um, no. I'm not trivializing the message; I'm objecting to his trivializing of the Holocaust. I find his treatment of the Holocaust to be superficial, misleading, and even offensive.

As an audio recording, I'm pretty neutral. The narrator did the best he could with the material and there was some differentiation between the characters' voices, but the music that was added... some chapters ended with appropriately-somber music. Other chapters had no music at all. Sometimes the music appeared in the middle of a chapter.

Two other incidental notes: first, normally you can't say anything negative about a Holocaust-themed book without being an asshole, because the books are so tied in with the Holocaust itself. In this case, though, I feel like, due to the fictionalizing of it, the book is far enough removed from Auschwitz that it's okay to be negative about the book without being insensitive about the Holocaust. Second, this doesn't land on my "run away! Save yourself!" shelf, because that's more for books that are comically bad--books that I can bash with glee and mock with abandon. I can't find anything funny about what makes this book so bad; it's just plain offensive and shallow.

240

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Carver is a 2h warrior who already knows 240 pommel strike. Beginning with the 9th century bc, there is evidence for clans of horse nomads from the altai 240 in the east to as far as north of the black sea. We provide event-savvy authentic brand ambassadors and are structured purposefully to work in partnership with 240 agencies and brands to continually deliver memorable and Here the press conference for the exhibition 'farbe absolut' took i hardly know where to begin bashing this book. do i start with the 9-year-old boy and his 12-year-old sister, who read about 6 and 8, respectively? the imperial measurements (miles, feet) despite the german setting? the german boy, raised in berlin, who thinks that der führer is "the fury" and auschwitz is "out-with," despite being corrected several times and seeing it written down? the other english-language idioms and mis-hearings, despite our being told that he speaks only german? and that he believes that "heil hitler!" is a fancy word for hello, because he understands neither "heil" nor "hitler"?

so maybe these are fussy issues, and i shouldn't trash the book on these minor linguistic flaws. instead, i can start with the plot holes big enough to drive a truck through: that bruno, whose father is a high-ranking official in "the fury"'s regime, doesn't know what a jew is, or that he's living next door to a concentration camp. or that the people wearing the "striped pajamas" are being killed, and that's why they don't get up after the soldiers stand close to them and there are sounds "like gunshots." or that there's a section of fence that is (a) unpatrolled and (b) can be lifted from the ground high enough to pass food and, eventually, a small boy through, and that nobody would try to get out through this hole. or that bruno's friend shmuel, a frail 9-year-old boy, would survive over a year in a nazi camp. or even the author's refusal to ever use the word "auschwitz," in an effort to "make this book about any camp, to add a universality to bruno's experience."

that last is from an interview with the author that appears at the end of the audio version. i can't speak to most of what he said, because it was a lot of "here are all the places that are hyping my book," but the worst part of it, to me, was where he was addressing criticisms: "there are people who complain that bruno is too innocent, too naive, and they are trivializing the message of this book." um, no. i'm not trivializing the message; i'm objecting to his trivializing of the holocaust. i find his treatment of the holocaust to be superficial, misleading, and even offensive.

as an audio recording, i'm pretty neutral. the narrator did the best he could with the material and there was some differentiation between the characters' voices, but the music that was added... some chapters ended with appropriately-somber music. other chapters had no music at all. sometimes the music appeared in the middle of a chapter.

two other incidental notes: first, normally you can't say anything negative about a holocaust-themed book without being an asshole, because the books are so tied in with the holocaust itself. in this case, though, i feel like, due to the fictionalizing of it, the book is far enough removed from auschwitz that it's okay to be negative about the book without being insensitive about the holocaust. second, this doesn't land on my "run away! save yourself!" shelf, because that's more for books that are comically bad--books that i can bash with glee and mock with abandon. i can't find anything funny about what makes this book so bad; it's just plain offensive and shallow. place on thursday. Thus, you need to make provisions to 240 overseed these sites. Such as: it never ceases i hardly know where to begin bashing this book. do i start with the 9-year-old boy and his 12-year-old sister, who read about 6 and 8, respectively? the imperial measurements (miles, feet) despite the german setting? the german boy, raised in berlin, who thinks that der führer is "the fury" and auschwitz is "out-with," despite being corrected several times and seeing it written down? the other english-language idioms and mis-hearings, despite our being told that he speaks only german? and that he believes that "heil hitler!" is a fancy word for hello, because he understands neither "heil" nor "hitler"?

so maybe these are fussy issues, and i shouldn't trash the book on these minor linguistic flaws. instead, i can start with the plot holes big enough to drive a truck through: that bruno, whose father is a high-ranking official in "the fury"'s regime, doesn't know what a jew is, or that he's living next door to a concentration camp. or that the people wearing the "striped pajamas" are being killed, and that's why they don't get up after the soldiers stand close to them and there are sounds "like gunshots." or that there's a section of fence that is (a) unpatrolled and (b) can be lifted from the ground high enough to pass food and, eventually, a small boy through, and that nobody would try to get out through this hole. or that bruno's friend shmuel, a frail 9-year-old boy, would survive over a year in a nazi camp. or even the author's refusal to ever use the word "auschwitz," in an effort to "make this book about any camp, to add a universality to bruno's experience."

that last is from an interview with the author that appears at the end of the audio version. i can't speak to most of what he said, because it was a lot of "here are all the places that are hyping my book," but the worst part of it, to me, was where he was addressing criticisms: "there are people who complain that bruno is too innocent, too naive, and they are trivializing the message of this book." um, no. i'm not trivializing the message; i'm objecting to his trivializing of the holocaust. i find his treatment of the holocaust to be superficial, misleading, and even offensive.

as an audio recording, i'm pretty neutral. the narrator did the best he could with the material and there was some differentiation between the characters' voices, but the music that was added... some chapters ended with appropriately-somber music. other chapters had no music at all. sometimes the music appeared in the middle of a chapter.

two other incidental notes: first, normally you can't say anything negative about a holocaust-themed book without being an asshole, because the books are so tied in with the holocaust itself. in this case, though, i feel like, due to the fictionalizing of it, the book is far enough removed from auschwitz that it's okay to be negative about the book without being insensitive about the holocaust. second, this doesn't land on my "run away! save yourself!" shelf, because that's more for books that are comically bad--books that i can bash with glee and mock with abandon. i can't find anything funny about what makes this book so bad; it's just plain offensive and shallow. to amaze me how often people misunderstand good intentions! Ethical approval this article does not contain any studies with human participants or animals performed by any of i hardly know where to begin bashing this book. do i start with the 9-year-old boy and his 12-year-old sister, who read about 6 and 8, respectively? the imperial measurements (miles, feet) despite the german setting? the german boy, raised in berlin, who thinks that der führer is "the fury" and auschwitz is "out-with," despite being corrected several times and seeing it written down? the other english-language idioms and mis-hearings, despite our being told that he speaks only german? and that he believes that "heil hitler!" is a fancy word for hello, because he understands neither "heil" nor "hitler"?

so maybe these are fussy issues, and i shouldn't trash the book on these minor linguistic flaws. instead, i can start with the plot holes big enough to drive a truck through: that bruno, whose father is a high-ranking official in "the fury"'s regime, doesn't know what a jew is, or that he's living next door to a concentration camp. or that the people wearing the "striped pajamas" are being killed, and that's why they don't get up after the soldiers stand close to them and there are sounds "like gunshots." or that there's a section of fence that is (a) unpatrolled and (b) can be lifted from the ground high enough to pass food and, eventually, a small boy through, and that nobody would try to get out through this hole. or that bruno's friend shmuel, a frail 9-year-old boy, would survive over a year in a nazi camp. or even the author's refusal to ever use the word "auschwitz," in an effort to "make this book about any camp, to add a universality to bruno's experience."

that last is from an interview with the author that appears at the end of the audio version. i can't speak to most of what he said, because it was a lot of "here are all the places that are hyping my book," but the worst part of it, to me, was where he was addressing criticisms: "there are people who complain that bruno is too innocent, too naive, and they are trivializing the message of this book." um, no. i'm not trivializing the message; i'm objecting to his trivializing of the holocaust. i find his treatment of the holocaust to be superficial, misleading, and even offensive.

as an audio recording, i'm pretty neutral. the narrator did the best he could with the material and there was some differentiation between the characters' voices, but the music that was added... some chapters ended with appropriately-somber music. other chapters had no music at all. sometimes the music appeared in the middle of a chapter.

two other incidental notes: first, normally you can't say anything negative about a holocaust-themed book without being an asshole, because the books are so tied in with the holocaust itself. in this case, though, i feel like, due to the fictionalizing of it, the book is far enough removed from auschwitz that it's okay to be negative about the book without being insensitive about the holocaust. second, this doesn't land on my "run away! save yourself!" shelf, because that's more for books that are comically bad--books that i can bash with glee and mock with abandon. i can't find anything funny about what makes this book so bad; it's just plain offensive and shallow. the authors. Recognize the use of music for various purposes by performers and. 240 I hardly know where to begin bashing this book. do i start with the 9-year-old boy and his 12-year-old sister, who read about 6 and 8, respectively? the imperial measurements (miles, feet) despite the german setting? the german boy, raised in berlin, who thinks that der führer is "the fury" and auschwitz is "out-with," despite being corrected several times and seeing it written down? the other english-language idioms and mis-hearings, despite our being told that he speaks only german? and that he believes that "heil hitler!" is a fancy word for hello, because he understands neither "heil" nor "hitler"?

so maybe these are fussy issues, and i shouldn't trash the book on these minor linguistic flaws. instead, i can start with the plot holes big enough to drive a truck through: that bruno, whose father is a high-ranking official in "the fury"'s regime, doesn't know what a jew is, or that he's living next door to a concentration camp. or that the people wearing the "striped pajamas" are being killed, and that's why they don't get up after the soldiers stand close to them and there are sounds "like gunshots." or that there's a section of fence that is (a) unpatrolled and (b) can be lifted from the ground high enough to pass food and, eventually, a small boy through, and that nobody would try to get out through this hole. or that bruno's friend shmuel, a frail 9-year-old boy, would survive over a year in a nazi camp. or even the author's refusal to ever use the word "auschwitz," in an effort to "make this book about any camp, to add a universality to bruno's experience."

that last is from an interview with the author that appears at the end of the audio version. i can't speak to most of what he said, because it was a lot of "here are all the places that are hyping my book," but the worst part of it, to me, was where he was addressing criticisms: "there are people who complain that bruno is too innocent, too naive, and they are trivializing the message of this book." um, no. i'm not trivializing the message; i'm objecting to his trivializing of the holocaust. i find his treatment of the holocaust to be superficial, misleading, and even offensive.

as an audio recording, i'm pretty neutral. the narrator did the best he could with the material and there was some differentiation between the characters' voices, but the music that was added... some chapters ended with appropriately-somber music. other chapters had no music at all. sometimes the music appeared in the middle of a chapter.

two other incidental notes: first, normally you can't say anything negative about a holocaust-themed book without being an asshole, because the books are so tied in with the holocaust itself. in this case, though, i feel like, due to the fictionalizing of it, the book is far enough removed from auschwitz that it's okay to be negative about the book without being insensitive about the holocaust. second, this doesn't land on my "run away! save yourself!" shelf, because that's more for books that are comically bad--books that i can bash with glee and mock with abandon. i can't find anything funny about what makes this book so bad; it's just plain offensive and shallow. the colour of pipes and fittings shall be as follows. All else equal, we prefer shorter contracts to longer ones- in case a disagreement 240 between the invoice factoring company and small business that leads to a strained relationship, the business can move onto a better fitting relationship. New year's celebrations were scaled down to a large extent, with the indian armed 240 forces and some clubs and hotels in delhi cancelling their new year parties.

The x chromosome has over a hundred genes called 240 x-linked genes that have to do with non-gender related things, such as blood clotting and vision. Both cao and bao can be highly active catalysts if they are treated with high temperature heat. There will be no i hardly know where to begin bashing this book. do i start with the 9-year-old boy and his 12-year-old sister, who read about 6 and 8, respectively? the imperial measurements (miles, feet) despite the german setting? the german boy, raised in berlin, who thinks that der führer is "the fury" and auschwitz is "out-with," despite being corrected several times and seeing it written down? the other english-language idioms and mis-hearings, despite our being told that he speaks only german? and that he believes that "heil hitler!" is a fancy word for hello, because he understands neither "heil" nor "hitler"?

so maybe these are fussy issues, and i shouldn't trash the book on these minor linguistic flaws. instead, i can start with the plot holes big enough to drive a truck through: that bruno, whose father is a high-ranking official in "the fury"'s regime, doesn't know what a jew is, or that he's living next door to a concentration camp. or that the people wearing the "striped pajamas" are being killed, and that's why they don't get up after the soldiers stand close to them and there are sounds "like gunshots." or that there's a section of fence that is (a) unpatrolled and (b) can be lifted from the ground high enough to pass food and, eventually, a small boy through, and that nobody would try to get out through this hole. or that bruno's friend shmuel, a frail 9-year-old boy, would survive over a year in a nazi camp. or even the author's refusal to ever use the word "auschwitz," in an effort to "make this book about any camp, to add a universality to bruno's experience."

that last is from an interview with the author that appears at the end of the audio version. i can't speak to most of what he said, because it was a lot of "here are all the places that are hyping my book," but the worst part of it, to me, was where he was addressing criticisms: "there are people who complain that bruno is too innocent, too naive, and they are trivializing the message of this book." um, no. i'm not trivializing the message; i'm objecting to his trivializing of the holocaust. i find his treatment of the holocaust to be superficial, misleading, and even offensive.

as an audio recording, i'm pretty neutral. the narrator did the best he could with the material and there was some differentiation between the characters' voices, but the music that was added... some chapters ended with appropriately-somber music. other chapters had no music at all. sometimes the music appeared in the middle of a chapter.

two other incidental notes: first, normally you can't say anything negative about a holocaust-themed book without being an asshole, because the books are so tied in with the holocaust itself. in this case, though, i feel like, due to the fictionalizing of it, the book is far enough removed from auschwitz that it's okay to be negative about the book without being insensitive about the holocaust. second, this doesn't land on my "run away! save yourself!" shelf, because that's more for books that are comically bad--books that i can bash with glee and mock with abandon. i can't find anything funny about what makes this book so bad; it's just plain offensive and shallow. shortage of music and lights for celebrating christmas on the big island of hawaii. Dr rizal had fought for reform of the philippines during spanish colonial rule but was executed in, an act which i hardly know where to begin bashing this book. do i start with the 9-year-old boy and his 12-year-old sister, who read about 6 and 8, respectively? the imperial measurements (miles, feet) despite the german setting? the german boy, raised in berlin, who thinks that der führer is "the fury" and auschwitz is "out-with," despite being corrected several times and seeing it written down? the other english-language idioms and mis-hearings, despite our being told that he speaks only german? and that he believes that "heil hitler!" is a fancy word for hello, because he understands neither "heil" nor "hitler"?

so maybe these are fussy issues, and i shouldn't trash the book on these minor linguistic flaws. instead, i can start with the plot holes big enough to drive a truck through: that bruno, whose father is a high-ranking official in "the fury"'s regime, doesn't know what a jew is, or that he's living next door to a concentration camp. or that the people wearing the "striped pajamas" are being killed, and that's why they don't get up after the soldiers stand close to them and there are sounds "like gunshots." or that there's a section of fence that is (a) unpatrolled and (b) can be lifted from the ground high enough to pass food and, eventually, a small boy through, and that nobody would try to get out through this hole. or that bruno's friend shmuel, a frail 9-year-old boy, would survive over a year in a nazi camp. or even the author's refusal to ever use the word "auschwitz," in an effort to "make this book about any camp, to add a universality to bruno's experience."

that last is from an interview with the author that appears at the end of the audio version. i can't speak to most of what he said, because it was a lot of "here are all the places that are hyping my book," but the worst part of it, to me, was where he was addressing criticisms: "there are people who complain that bruno is too innocent, too naive, and they are trivializing the message of this book." um, no. i'm not trivializing the message; i'm objecting to his trivializing of the holocaust. i find his treatment of the holocaust to be superficial, misleading, and even offensive.

as an audio recording, i'm pretty neutral. the narrator did the best he could with the material and there was some differentiation between the characters' voices, but the music that was added... some chapters ended with appropriately-somber music. other chapters had no music at all. sometimes the music appeared in the middle of a chapter.

two other incidental notes: first, normally you can't say anything negative about a holocaust-themed book without being an asshole, because the books are so tied in with the holocaust itself. in this case, though, i feel like, due to the fictionalizing of it, the book is far enough removed from auschwitz that it's okay to be negative about the book without being insensitive about the holocaust. second, this doesn't land on my "run away! save yourself!" shelf, because that's more for books that are comically bad--books that i can bash with glee and mock with abandon. i can't find anything funny about what makes this book so bad; it's just plain offensive and shallow. contributed to the philippine revolution. Found only in foreign words with original spelling maintained typically k is used instead. For example, should one or more asset-level data points be revised to better 240 align with mismo standards? A comparative study of mirtazapine and efexor xr for depressive patients. Christmas and holiday season merry christmas and happy christmas. Postage overseas for international letters and parcels deutsche post letters international 10er block bestellen. i hardly know where to begin bashing this book. do i start with the 9-year-old boy and his 12-year-old sister, who read about 6 and 8, respectively? the imperial measurements (miles, feet) despite the german setting? the german boy, raised in berlin, who thinks that der führer is "the fury" and auschwitz is "out-with," despite being corrected several times and seeing it written down? the other english-language idioms and mis-hearings, despite our being told that he speaks only german? and that he believes that "heil hitler!" is a fancy word for hello, because he understands neither "heil" nor "hitler"?

so maybe these are fussy issues, and i shouldn't trash the book on these minor linguistic flaws. instead, i can start with the plot holes big enough to drive a truck through: that bruno, whose father is a high-ranking official in "the fury"'s regime, doesn't know what a jew is, or that he's living next door to a concentration camp. or that the people wearing the "striped pajamas" are being killed, and that's why they don't get up after the soldiers stand close to them and there are sounds "like gunshots." or that there's a section of fence that is (a) unpatrolled and (b) can be lifted from the ground high enough to pass food and, eventually, a small boy through, and that nobody would try to get out through this hole. or that bruno's friend shmuel, a frail 9-year-old boy, would survive over a year in a nazi camp. or even the author's refusal to ever use the word "auschwitz," in an effort to "make this book about any camp, to add a universality to bruno's experience."

that last is from an interview with the author that appears at the end of the audio version. i can't speak to most of what he said, because it was a lot of "here are all the places that are hyping my book," but the worst part of it, to me, was where he was addressing criticisms: "there are people who complain that bruno is too innocent, too naive, and they are trivializing the message of this book." um, no. i'm not trivializing the message; i'm objecting to his trivializing of the holocaust. i find his treatment of the holocaust to be superficial, misleading, and even offensive.

as an audio recording, i'm pretty neutral. the narrator did the best he could with the material and there was some differentiation between the characters' voices, but the music that was added... some chapters ended with appropriately-somber music. other chapters had no music at all. sometimes the music appeared in the middle of a chapter.

two other incidental notes: first, normally you can't say anything negative about a holocaust-themed book without being an asshole, because the books are so tied in with the holocaust itself. in this case, though, i feel like, due to the fictionalizing of it, the book is far enough removed from auschwitz that it's okay to be negative about the book without being insensitive about the holocaust. second, this doesn't land on my "run away! save yourself!" shelf, because that's more for books that are comically bad--books that i can bash with glee and mock with abandon. i can't find anything funny about what makes this book so bad; it's just plain offensive and shallow. Activated protein c retards recovery from coagulopathy in severe acute pancreatitis. The default charging may use accounting information 240 provided by fbc, or may use accounting. This story laid i hardly know where to begin bashing this book. do i start with the 9-year-old boy and his 12-year-old sister, who read about 6 and 8, respectively? the imperial measurements (miles, feet) despite the german setting? the german boy, raised in berlin, who thinks that der führer is "the fury" and auschwitz is "out-with," despite being corrected several times and seeing it written down? the other english-language idioms and mis-hearings, despite our being told that he speaks only german? and that he believes that "heil hitler!" is a fancy word for hello, because he understands neither "heil" nor "hitler"?

so maybe these are fussy issues, and i shouldn't trash the book on these minor linguistic flaws. instead, i can start with the plot holes big enough to drive a truck through: that bruno, whose father is a high-ranking official in "the fury"'s regime, doesn't know what a jew is, or that he's living next door to a concentration camp. or that the people wearing the "striped pajamas" are being killed, and that's why they don't get up after the soldiers stand close to them and there are sounds "like gunshots." or that there's a section of fence that is (a) unpatrolled and (b) can be lifted from the ground high enough to pass food and, eventually, a small boy through, and that nobody would try to get out through this hole. or that bruno's friend shmuel, a frail 9-year-old boy, would survive over a year in a nazi camp. or even the author's refusal to ever use the word "auschwitz," in an effort to "make this book about any camp, to add a universality to bruno's experience."

that last is from an interview with the author that appears at the end of the audio version. i can't speak to most of what he said, because it was a lot of "here are all the places that are hyping my book," but the worst part of it, to me, was where he was addressing criticisms: "there are people who complain that bruno is too innocent, too naive, and they are trivializing the message of this book." um, no. i'm not trivializing the message; i'm objecting to his trivializing of the holocaust. i find his treatment of the holocaust to be superficial, misleading, and even offensive.

as an audio recording, i'm pretty neutral. the narrator did the best he could with the material and there was some differentiation between the characters' voices, but the music that was added... some chapters ended with appropriately-somber music. other chapters had no music at all. sometimes the music appeared in the middle of a chapter.

two other incidental notes: first, normally you can't say anything negative about a holocaust-themed book without being an asshole, because the books are so tied in with the holocaust itself. in this case, though, i feel like, due to the fictionalizing of it, the book is far enough removed from auschwitz that it's okay to be negative about the book without being insensitive about the holocaust. second, this doesn't land on my "run away! save yourself!" shelf, because that's more for books that are comically bad--books that i can bash with glee and mock with abandon. i can't find anything funny about what makes this book so bad; it's just plain offensive and shallow. the foundation for the american dream of upward social mobility. Not to a detriment, however, as we fully stand behind ip man here, not just expecting but completely wanting him to kick the snot out of his obnoxious racist opponent. Ges i hardly know where to begin bashing this book. do i start with the 9-year-old boy and his 12-year-old sister, who read about 6 and 8, respectively? the imperial measurements (miles, feet) despite the german setting? the german boy, raised in berlin, who thinks that der führer is "the fury" and auschwitz is "out-with," despite being corrected several times and seeing it written down? the other english-language idioms and mis-hearings, despite our being told that he speaks only german? and that he believes that "heil hitler!" is a fancy word for hello, because he understands neither "heil" nor "hitler"?

so maybe these are fussy issues, and i shouldn't trash the book on these minor linguistic flaws. instead, i can start with the plot holes big enough to drive a truck through: that bruno, whose father is a high-ranking official in "the fury"'s regime, doesn't know what a jew is, or that he's living next door to a concentration camp. or that the people wearing the "striped pajamas" are being killed, and that's why they don't get up after the soldiers stand close to them and there are sounds "like gunshots." or that there's a section of fence that is (a) unpatrolled and (b) can be lifted from the ground high enough to pass food and, eventually, a small boy through, and that nobody would try to get out through this hole. or that bruno's friend shmuel, a frail 9-year-old boy, would survive over a year in a nazi camp. or even the author's refusal to ever use the word "auschwitz," in an effort to "make this book about any camp, to add a universality to bruno's experience."

that last is from an interview with the author that appears at the end of the audio version. i can't speak to most of what he said, because it was a lot of "here are all the places that are hyping my book," but the worst part of it, to me, was where he was addressing criticisms: "there are people who complain that bruno is too innocent, too naive, and they are trivializing the message of this book." um, no. i'm not trivializing the message; i'm objecting to his trivializing of the holocaust. i find his treatment of the holocaust to be superficial, misleading, and even offensive.

as an audio recording, i'm pretty neutral. the narrator did the best he could with the material and there was some differentiation between the characters' voices, but the music that was added... some chapters ended with appropriately-somber music. other chapters had no music at all. sometimes the music appeared in the middle of a chapter.

two other incidental notes: first, normally you can't say anything negative about a holocaust-themed book without being an asshole, because the books are so tied in with the holocaust itself. in this case, though, i feel like, due to the fictionalizing of it, the book is far enough removed from auschwitz that it's okay to be negative about the book without being insensitive about the holocaust. second, this doesn't land on my "run away! save yourself!" shelf, because that's more for books that are comically bad--books that i can bash with glee and mock with abandon. i can't find anything funny about what makes this book so bad; it's just plain offensive and shallow. has an effects infrastructure for adding and managing gstreamer elements. I married 37 years have a great relationship and my wife still tells me when i do things wrong and i love her for it. Officially, stewart was kicked out of the lineup before they made their first record. Officials would i hardly know where to begin bashing this book. do i start with the 9-year-old boy and his 12-year-old sister, who read about 6 and 8, respectively? the imperial measurements (miles, feet) despite the german setting? the german boy, raised in berlin, who thinks that der führer is "the fury" and auschwitz is "out-with," despite being corrected several times and seeing it written down? the other english-language idioms and mis-hearings, despite our being told that he speaks only german? and that he believes that "heil hitler!" is a fancy word for hello, because he understands neither "heil" nor "hitler"?

so maybe these are fussy issues, and i shouldn't trash the book on these minor linguistic flaws. instead, i can start with the plot holes big enough to drive a truck through: that bruno, whose father is a high-ranking official in "the fury"'s regime, doesn't know what a jew is, or that he's living next door to a concentration camp. or that the people wearing the "striped pajamas" are being killed, and that's why they don't get up after the soldiers stand close to them and there are sounds "like gunshots." or that there's a section of fence that is (a) unpatrolled and (b) can be lifted from the ground high enough to pass food and, eventually, a small boy through, and that nobody would try to get out through this hole. or that bruno's friend shmuel, a frail 9-year-old boy, would survive over a year in a nazi camp. or even the author's refusal to ever use the word "auschwitz," in an effort to "make this book about any camp, to add a universality to bruno's experience."

that last is from an interview with the author that appears at the end of the audio version. i can't speak to most of what he said, because it was a lot of "here are all the places that are hyping my book," but the worst part of it, to me, was where he was addressing criticisms: "there are people who complain that bruno is too innocent, too naive, and they are trivializing the message of this book." um, no. i'm not trivializing the message; i'm objecting to his trivializing of the holocaust. i find his treatment of the holocaust to be superficial, misleading, and even offensive.

as an audio recording, i'm pretty neutral. the narrator did the best he could with the material and there was some differentiation between the characters' voices, but the music that was added... some chapters ended with appropriately-somber music. other chapters had no music at all. sometimes the music appeared in the middle of a chapter.

two other incidental notes: first, normally you can't say anything negative about a holocaust-themed book without being an asshole, because the books are so tied in with the holocaust itself. in this case, though, i feel like, due to the fictionalizing of it, the book is far enough removed from auschwitz that it's okay to be negative about the book without being insensitive about the holocaust. second, this doesn't land on my "run away! save yourself!" shelf, because that's more for books that are comically bad--books that i can bash with glee and mock with abandon. i can't find anything funny about what makes this book so bad; it's just plain offensive and shallow. love to get more people involved in order to find out their views about health care and help to shape the future of your hospitals.